Meet John Elkington, the founder of SustainAbility, one of the best consulting companies out there. We met in Washington, where he presented his business manifesto and the VOLANS initiative.
JE: The book, called The Power of Unreasonable People, focuses on social and environmental entrepreneurs like Muhammad Yunus, a winner of the Nobel Peace Prize. These are people who attempt the impossible, in areas of market failure where the mainstream would not dare to venture. They just try stuff, and when stuff fails, they keep on trying new stuff.
The book tries to capture the attention to reality that matters: looks where progress comes from, and that does not mean reasonable people, because they simply adapt to the conditions of the present. Progress comes from unreasonable people who don’t adapt – who look at the world and say: that’s completely dysfunctional. They ask how to change it and exert themselves to do just that, even when it seems impossible.
JE: I started SustAinability in 1987 with one other person, Julia Hailes, who was then 22 or so. We didn’t think of ourselves as entrepreneurs back then. There were a couple of reasons why we “accidentally” fell into this space and just started doing stuff. It’s easy to look back and say, we knew exactly what we were doing. Well, we didn’t.
JE: All those and a bunch of other things, too. Altruism? Well, I gave my sweets away to my siblings as a child ( the elder-child syndrome ) but it’s not that that drives me. I was brought up in the countryside and had an amazing experience one night. It made me discover this mismatch between the world we humans are building and the natural world in which we ultimately sit.
What drives me is a deep anxiety about the way things are done. SustainAbility is in a way in service for future generations. It sounds really wild, right? That’s really where I come from: the future is not going to work unless we change fundamentally.
JE: Business was not a part of it in that stage. We were living in a farm in Northern Ireland, and I must have been 6 or 7 when I walked back home late one night from supper at a neighboring farm. It was completely dark, there was no moon, and on this farm there were these flax ponds where they used to grow a useful agricultural crop. And I suddenly felt at my ankles this extraordinary movement. As I put my hands down, between my fingers were these young eels. I knew about the eel migration, and after a moment of utter terror, I felt this extraordinary sense of connection to a wider world. It was not business but something bigger that came to me.
JE: I am a reptile and find it very difficult to get up in the morning, so I avoid that as long as I possibly can. If I am in London (which is a rarity) at that moment and it doesn’t rain, then I go to work by bike through different parks to arrive around 9.00 am.
We are a small group and publish a lot of reports, so at the office I may be writing, or I may sit down with people from major companies or with social entrepreneurs. It’s quite diverse; there isn’t really a standard.
JE: There are so many. Can I abuse your question and take two? When I was eleven I raised money for the World Wildlife Fund. This was 1961, the year that WWF was founded, and I asked for my pocket money and got it for two weeks. So I am on the Council of Ambassadors of the WWF, and I like that organization because I think what they do for biodiversity is important.
But if I had to take one organization, then there is an Indian entrepreneur who set up Aflatoun, better known as “child savings international”; I am involved in that. They look at extremely poor young people – particularly in poor countries like India – and try getting them in a habit of saving. It’s all very well to pick people out of the streets, but unless you break the cycle of poverty, you will not really materially improve their lives. What’s interesting is that banks now are getting interested, because you are creating financial literate people – and, in the longer term, clients.
JE: Many. When I made a bio for the VOLANS organization we launched some years ago, I looked back at every person who influenced me along the way. If it had to be one, then it would be Max Nicholson, one of the founders of WWF and IUCN, who died when he was about 98. He and I set up a company in 1978, called Environmental Data Services, which still exist. He had a huge impact on how I view the world and gave me the confidence to do things I otherwise would not have done.
JE: The answer in the longer term is probably yes. But there is also a problem in that these renewable energy technologies/products are not entirely clean or innocent. When you mention wind energy, think of bird migration and how wind mills might affect bird populations. Or think of biofuels and the impact on food prices around the world.
Yes, I think it is great that we are moving toward a renewable energy economy, but I don’t think it is going to be painless or free of trade-offs. I think governments have an important role to play in ensuring that the transition, as it builds, minimizes the inevitable social and environmental repercussions of these new technologies.
JE: I think if I go back to the sixties and the seventies when I started being interested in the environment professionally and working in that space, there were designers like Buckminster Fuller, who had a profound impact on me. In today’s world, I think of Janine Benuys, with her book on biomimicry, and about using natural, biological models to shape the technologies of the future. There is a huge unexploited potential there, and it’s a hugely interesting area. I wish I knew more about it.
JE: James Lovelock of the Gaia hypotheses had it right: ”I hope that the world as we have inherited it finds room for us. Because it isn’t guaranteed.”
The German philosopher Feuerbach used to say: “We are what we eat.” I truly believe in that. We have created this cheaper, bigger, faster food system by supporting “the $5.99 value meal” for too long, and it has simply killed good farming practices. Almost without noticing, we traded quality for quantity. Fifty years ago, America had great farming practices. But those great farmers were forced by our changing consumption habits to start growing cheap produce and to raise cattle in faster and cheaper ways, to keep up with our demand.
About 98% of the food grown in America comes from factory farming. Only 0.5% of the US farmland is certified organic. When I say factory farming, I mean that most food has significant amounts of synthetic hormones, antibiotics, chemicals, and GMOs (genetically modified organisms) as ingredients. Those are all components that are very good at making money for some agrochemical companies, but are not good for people, or for the planet. By the way, about 95% of the products that you can find in the supermarket now have some GMO content. And to make matters worse, there is no label regulation that warns us about this presence. [Editor’s note: Food labeled USDA Organic, or certified by the Non-GMO Project, cannot contain GMO ingredients.]
The Real Price of Cheap Food
We live in a country in which about 80% of the population is overweight, and almost one-third is considered obese. For the first time, babies born in America now have a shorter average life expectancy than their parents, simply because of obesity.
The link between food and health is obvious and unavoidable. We now know that if we save money on food, down the road we will have to spend way more on doctors and healthcare. We have made a dangerous trade-off, with convenience exchanged for our health. We need to help change this food system to a better one as soon as possible. In 1930, Americans spent 24.5% of their income on food; in 2004, that number went down to 9.5%.
The level of consolidation in the current food system is also unbelievable: only four companies produce 81% of the beef, 73% of sheep, 56% of pigs, and 50% of poultry in the United States. And all of this is happening through subsidies that come from our tax dollars. Not only do 33% of U.S. farms receive these subsidies, but about 70% of what they grow with this money is not used to feed people.
To continue eating without really thinking about the food we eat seems to be a very bad idea overall. We keep deteriorating our collective health, and we keep providing the wrong players with money to keep growing their businesses, at the same time blocking all kinds of needed change.
Sustainable Food Solutions
A big part of the solution is to start eating better foods. By better foods, I mean foods that are organic and locally grown. If we all start supporting good-quality food, we will be healthier, but we will be also supporting the right agricultural practices. And change will happen faster than most people think it can. We must take things into our own hands and start leading by example, because capitalism must be changed from within, through profits. Once the right farmers start making good profits through our consumption habits, most farmers will switch back to the right practices, and the pace of change will accelerate.
We should develop an understanding of the different players in the food chain and be able to support the right ones. We must differentiate food companies that care about people, and the environmental impact of their business, from the ones that want to “greenwash” us in order to sell more of the same. We are too smart to be greenwashed.
On the other hand, it has been scientifically proven that reducing our caloric intake will help us live a healthier, longer, and happier life. Let’s all think before we eat, and help others to do the same, and change will immediately happen. Our health will automatically improve, and we will move toward the food system that we need: quality over quantity!
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Alberto Gonzalez is leading a food revolution. As founder and CEO of GustOrganics, the world’s first and only 100% certified organic restaurant and one of the greenest and most progressive restaurants on the planet, Gonzalez has been in the business of making change happen for years.
More on GustOrganics: www.gustorganics.com
Are you the one for whom doodling on the sideline of your paper while chatting on the phone is already a great artistic achievement or do you have a multitude of art utensils that express your subconsciousness like a true master on real canvas? Whatever level you are at, in what follows – we, at Sustainable Styles invite you to explore that inner artist and translate your most positive projection about a sustainable planet with the following art assignment.
The Eco Hero project is composed of an art challenge and a writing exercise. Participants are encouraged to make an art piece that expresses their wishes/vision for a Sustainable Planet and perhaps also write a letter to their leaders, urging them to safeguard the quality of our environment and to invest in healthy communities for the sake of the present and the future generations to come.
The results of this project will become part of a mural – the Eco Hero Wall of Fame – to be unveiled during the seventh edition of the Sustainable Planet film festival, scheduled for November 13th and 14th, 2012. The goal is to be a catalyst for the voices of the global conscious community who believes in a Sustainable Planet.
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In order to leverage some international motivational pressure – the elegant way – we have already launched the Eco Hero project in several nations around the world (USA, Canada, Belgium and Brazil) and invite you to join this original project as well.
Here is what to do:
1. Create your own canvas.
(take a virgin white piece of paper and a CD/DVD. Make the circumference of the disk on the white piece of paper and cut it out with a pair of scissors.)
2. Collect pencils, markers, mixed media materials, anything goes.
3. Think of expressing your wish for the future of our planet and only use the inner part of the circle as your canvas.
(what does a sustainable planet look like, how you see different communities live harmoniously together,…, )
4. Write your name on the front of the canvas and let us know on the back if you are in the 0-18 or 18+ age group. On the back, add that you “hereby release your artwork” all while signing with your name, so we can use it for our Eco Hero Wall of Fame. Have someone take a digital picture with you holding your canvas in front of you. Send your art piece to our PO Box ( Pamela Peeters, PO Box 1840, New York, NY 10013, USA ) and the photograph to info@sustainablestyles.com
5. If you do not feel like drawing or making an art project, you can still enter the competition if you send a letter addressed to your local leader – or even your King or President – and tell them what you expect as your sustainable future.
Good luck!
More information and some examples on the Eco Hero Wall of Fame: www.myecohero.com
HS: I hope that through my work I am able to open a positive place in their psyche. My work is really about the Garden of Eden. I noticed as a child – growing up in Hawaii – that nature is a gift to this place. My work came from early childhood experiences. Now I get a dosis of inspiration from nature in Louisiana where I have two houses.
I am giving people a view of nature they have never witnessed, my work is even used in teaching kids. The environment has been threatened all around the world. Buffalo’s have been slaughtered, pigeons everywhere are suffering too.
I view my art as a form of healing and hopefully, I bring a little awareness. I am however not crediting myself as I work with healers and meta-physicists.
PP: In a CBS Sunday Morning interview you share, “I am doing what I am supposed to do”… how early on in life did you know about your calling?
HS: I was in first grade and drew a picture of myself all while painting. My nature is to use paint, it’s a complete form. It’s very satisfying, metaphysically charged and never conflicting.
The first paintings that were found in the caves in Spain showcased a reverence, a balance of nature with birds and spirit. My work is in alignment with that original vision.
PP: Did you have a mentor or a particular source of inspiration?
HS: Growing up, I have been inspired by my maternal Grandfather. Alex Katx and Paul Georgians were important for me when I pursued my career. It was a real struggle at first and it is thanks to a grant from a public art foundation that I was able to transition to another level.
PP: You live with dozens of animals ( birds, cats, … ) and use the feather tips of birds as to create cages in your paintings… what do these animals represent for you?
HS: First, they are my friends and companions. They have great personalities and are very inspiring. Birds also represent the soul and they reflect love in Christianity. In the Hindu Indian philosophy, the body is represented by a cage and the bird reflects the soul.
PP: You work with psychics and spiritual practitioners. What messages/guidance do you receive from them and how does this expanded reality affect your consciousness.
HS: We have the possibility to communicate with the other side. Some big personalities talk to me, it interests me. I was very inspired by the 1920 beings. Abraham Lincoln tells me what to do and a Countess told me I was going to buy the house I am currently living in. The final goal is light, energy, transcendence.
PP: A day in the life of Hunt:
HS: I am in Louisiana right now (Hunt has three homes). I work all day long and am in constant communication with the people whom I work with. I touch base with my three spaces throughout the day, watch my gardens grow and reflect. Last year alone I had 27 shows, so I am extremely busy.
PP: Nature is a recurrent theme in your work. Are you worried about the rate of disappearance of biodiversity on our planet?
HS: Yes, I am extremely upset when I reflect about our losses of the last one hundred years. It is shocking that men has no consciousness, nature is not endless. People do not realize this.
PP: Would you have advice for our audience on how to live life in tune with nature?
HS: What is most important is to try to meditate, find your answers inside and through your connection. It is a divine gift.
PP: People in Manhattan can see your work represented by a beautiful mural at the Bryant Park Grill. Your work is also a part of the Metropolitan Museum collection. What is your favorite painting and why?
HS: The one I am working on the latest, it’s the new one. I am always excited about not knowing what comes next. I repeat a lot, mantra’s ,.., snowflakes.
PP: What is your wish for the future of our planet?
HS: If we open to a positive projection, something great will happen, transformation might occur. I hope the planet will survive, that we advance.
We should open to whatever the Divine has in mind. We are destined to have a peaceful mind.
Sustainable Inspiration : Hunt’s favorite book is «The game of life» by Florence Scovel-Shinn
More information on Hunt Slonem www.huntslonem.com